[THE STRAIGHT STORY screens Saturday July 1st at 5:00 pm and Sunday July 2nd at 6:30 pm at the Cleveland Cinematheque.]
Review by Charles Cassady, Jr.
Review by Charles Cassady, Jr.
A few odd weeks in 1999 it seemed like the movie values system had turned upside down, most agreeably so. First, Cleveland native Wes Craven, synonymous with gore and horror, delivered MUSIC OF THE HEART, a wholesome, PG-rated music drama, based on fact, starring Meryl Streep (Craven said he finally wanted to direct a film that his conservative parents could see). Then David Lynch, a name equated with extreme, transgressive and positively diseased themes in cinema, made a deliberately G-rated all-ages feature THE STRAIGHT STORY. Released by Disney, in fact.
Whether Lynch also had underaged or prudish family members is unknown to me, and it did seem to me that THE STRAIGHT STORY’s MPAA label wasn't a little bit of a marketing ploy, dangling in front of the art-school pseudointellectuals and cult viewers who comprised the Lynch fanbase the question of what can the creator of BLUE VELVET possibly
get away with under a G rating?
A lot. Like MUSIC OF THE HEART this is a fact-based plot, here dramatizing the middle-American odyssey of real-life Iowa farmer Alvin Straight (Richard Farnsworth). In the mid-1990s Straight
drove a riding mower (with a trailer hitch full of fuel and provisions) hundred of miles along country roads, across the state line into Wisconsin, to visit his long-estranged brother who had recently suffered a stroke.
The ostensible reason for the stunt is that 75-year-old Alvin's poor eyesight cost him his driver's license - none required for a mower - and he's too proud to get a ride or take the bus. But as
Straight stubbornly chugs along at about 5 m.p.h. it becomes clear that this is no Mr. Magoo antic joyride but a meaningful, end-of-life spiritual pilgrimage for a thoughtful old man.
From time to time Straight interacts with fellow nomads or residents, dispensing wisdom and comfort in episodes that threaten to turn this road movie into something along the lines of Touched by an AARP Angel. But Lynch (working from a script by his longtime offscreen partner Mary Sweeney and first-time Wisconsin screenwriter John Roach) never lets THE STRAIGHT STORY become so saccharine or prosaic.
Fans will hearken to such familiar elements of the Lynch mob as soundtrack composer Angelo Badalamenti, regular actor Everett McGill, and production designer Jack Fisk (a Lynch associate since ERASERHEAD, whose wife Sissy Spacek portrays Straight's adult daughter). Character quirks that previously lent a distinct David Lynch edge to dark views of the world are here endearing
Probably the movie's single, real flaw is in the casting - not of Farnsworth, weather-beaten and marvelous, but of famed character actor Harry Dean Stanton as Alvin Straight's stricken brother.
There's so little filial resemblance between these two that you almost expect a punchline when they meet: "You're adopted." Where's Wilfred Brimley when we need him? (3 3/4 out of 4 stars)