[MIMOSAS screens Thursday May 18th at 8:50 pm and Friday May 19th at 7:30 pm at the Cleveland Cinematheque.]
We then shift to a scene that's sort of like an Arabic Home Depot parking lot, I guess. A large group of men are gathered in a parking lot looking for short term labor. But not building houses. Apparently the jobs on offer involve driving. But there's some sort of metaphysical aspect to the job, as well.
One of these aspiring workers is Shakib (Shakib Ben Omar), who gets a gig accompanying Ahamed and Said on their quest. It's unclear exactly how he knows where to find them, or even if these two parts of the film take place in the same era.
From this setup, MIMOSAS takes its characters and its audience on a journey both physical and spiritual, with Shakib coming across a bit like Clarence in IT'S A WONDERFUL LIFE as he tries to instill faith in Ahmed, and get him to take responsibility for his path in life.
Director Oliver Laxe, who also co-wrote the film with Santiago Fillal, gives his film a leisurely pace. And while it's not some surrealist work ala David Lynch, he doesn't exactly spell out his message. I'm not even sure I got it, to be honest. However, the film's dessert scenery is lovely to look at, and the characters and the narrative are compelling if sometimes a bit vague. 3 out of 4 stars.