[JANE'S JOURNEY screens Thursday October 20th at 8:35 pm and Sunday October 23rd at 4:30 pm at the Cleveland Cinematheque.]
Review by Pamela Zoslov
Review by Pamela Zoslov
Essentially a love letter to the famous British primatologist Jane Goodall, Lorenz Knauer’s JANE'S JOURNEY begins with an interesting story. Vintage footage and compelling narration by Goodall recount her privileged and relatively carefree girlhood in London. Given the gift of a stuffed chimpanzee named Jubilee by her often-absent father, young Jane dreamed of one day traveling to Africa – an ambition unheard of for girls in the 1940s.
But travel to Africa she did, fortunately linking up with the famous anthropologist Louis Leakey, who was seeking a chimpanzee researcher. In 1960, the 28-year-old Goodall, accompanied by her mother for reasons of safety, went to Gombe Stream National Park in Tanzania to study chimp social and family behavior. She lived, quite happily, among the chimps at the preserve, where she met and married her first husband, Dutch nobleman and wildlife photographer Hugo van Lawick, and raised their young son among the Tanzanian chimpanzees (the child was sometimes kept in a cage to protect him from wayward chimps).
Goodall’s unorthodox methodology (giving the chimps names, like “David Graybeard” and “Goliath” rather than the numbers commonly assigned in such research) raised eyebrows in the academic community, but her studies led to some important discoveries: that chimpanzees made and used tools (a stick to “fish” for termites), challenging the previously held belief that toolmaking is the sole province of man; and that chimpanzees, previously thought of as peaceable vegetarians, have an aggressive side and will hunt and eat smaller primates. Goodall recalls how unusual it was for a person without a degree to conduct this research; as it happens, Goodall a few years later earned a Ph.D from Cambridge (without first having to obtain a bachelor’s or master’s degree).
While the film focuses on these recollections, enhanced by fascinating vintage photographs and footage, it promises a compelling experience. Unfortunately, the proceedings all too soon shift into full-bore hagiography, becoming a plodding and worshipful account of Goodall’s present-day activism. More than twenty years ago, Goodall was awakened to the importance of preventing animal exploitation, and has since become involved with combating global warming and a host of other environmental and social justice causes. At 77 (75 at the time of filming), Goodall is a literally tireless advocate, logging untold hours and carbon-producing miles on behalf of the Jane Goodall Institute and her global youth organization, Roots & Shoots.
We see Goodall on airplanes, in taxis, in hotel rooms, attending conferences and making speeches with her stuffed monkey mascot in tow, doing worthy work and demonstrating her strong commitment to saving the planet. There are testimonials by friends, relatives and admirers, and a visit by Goodall with activist/movie star Angelina Jolie. The result of all this is a portrayal of Goodall, clearly an admirable woman with astonishing energy, as a kind of secular saint. The most interesting thing about Goodall, and the thing for which she is best known – her scientific research – is unwisely pushed aside in favor of canonization and an uncritical “infomercial.”
However disappointing it is as a narrative biography, the film is enjoyable as a travelogue, with stunning cinematography and glimpses of rarely seen animals and landscapes: melting ice caps in Greenland, mass migration of Sandhill Cranes in Nebraska, a Congo refugee camp, a Native American reservation where despair is rampant, and a rather amazing “hippo pool” in Africa. Still, one wishes the film hadn't strayed so far afield from its very interesting primary subject. (2 1/2 out of 4 stars)